We had a great model in class last week. She is worth a better effort then I was able to summon, but here it is anyway. The Castilione del Bosco landscapes are next on my mind. I will post them as soon as I glue them on supports.
Rick, Is that a burnt sienna ground? I am in the process of trying to figure out the perfect ground for portrait oil sketches. When I bring a cool ground to class, the lighting/skintones are warm. When I bring the warm ground it's the opposite. Is there a universal ground? Need to know. TIA, Candace.
Candace, I took this photo outside so it has a green cast. And the purple-pinks in her complexion are lost. But you are right, I toned with burnt siena and some ivory black to cool it. I can't speak to a universal ground but perhaps neutral on a warm/cool scale will help. Maybe a bit on the warm side of neutral, just to get a little vibration. -Rick
Born and raised in New York, Currently living in New Jersey. I teach at The Grand Central Academy of Art in New York City. I am represented by Eleanor Ettinger Gallery in NYC.
Rick Piloco
beautiful portrait, congratulations.
ReplyDeleteRick, Is that a burnt sienna ground? I am in the process of trying to figure out the perfect ground for portrait oil sketches. When I bring a cool ground to class, the lighting/skintones are warm. When I bring the warm ground it's the opposite. Is there a universal ground? Need to know. TIA, Candace.
ReplyDeleteThanks Jesus!
ReplyDeleteCandace, I took this photo outside so it has a green cast. And the purple-pinks in her complexion are lost. But you are right, I toned with burnt siena and some ivory black to cool it. I can't speak to a universal ground but perhaps neutral on a warm/cool scale will help. Maybe a bit on the warm side of neutral, just to get a little vibration. -Rick